Spanish director Mateo Gil reappraises the last desperado's legend in a funny, violent examination of America and American cowboy films.. One mustn't carp too much; the film unfolds at a sprightly pace, making it fair fodder for undemanding sproglets.. It ain't Paul Newman and Robert Redford, but it ain't bad.. Each frame is a crystalline jaw-dropper that places the smallish actions of men within a vast canvas of lush jungle, lunar salt flats, Andean snow, and desert sand. The result is a pretty...
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